Cry, the Beloved Country literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Cry, the Beloved Country. Best summary PDF, themes, and quotes Alan Paton, in his novel, Cry, the Beloved Country, shows how the horrors of South African apartheid effected two individual families, one black and one white. Throughout the course of the novel, these two families overcome the chains of apartheid and learn that love and forgiveness cross racial lines. In this novel a black man, Absalom Kumalo, makes a decision to murder a Cry, the Beloved Country. Msimangu says that the main problem facing the native population of South Africa is that nothing has been built to replace the broken moral and social framework of the tribes. John Kumalo thinks the main trouble is economic inequality. Based on the evidence in the novel, which of these men is right?
Cry, the Beloved Country: Mini Essays | SparkNotes
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Total due on April 25, This is not a valid promo code. The free trial period is the first 7 days of your subscription. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at custserv bn. Your subscription will continue automatically once the free trial period is over. Free trial is available to new customers only. Contrast Dubula with John Kumalo. But while Kumalo enumerates grievances without suggesting realistic solutions, Dubula represents positive, pragmatic change—not to mention the possibility of cooperation between whites and blacks. On the surface, Dubula and John Kumalo seem bonded by their desire to end the tyranny of whites over blacks in South Africa, cry the beloved country essays.
The narrator notes that both men have rejected the Christian Church, cry the beloved country essays pays its white officials higher salaries than its black cry the beloved country essays and offers only lip service to the idea that blacks deserve equal status. This shared action shows that both men have a common interest in weakening institutions that reinforce the notion of black inferiority. As the story unfolds, however, Paton makes it clear that John Kumalo primarily relies on anger and grievances to mobilize his black followers.
Suspicious that tribal customs are a white tool for suppressing black independence, Kumalo flat-out rejects the entire set of customs, including the useful tribal traditions of monogamy and family bonding. His disgusted brother notes that Kumalo has not selected new or different customs, but has instead replaced a set of flawed customs with the far more dangerous idea of no customs whatsoever. Kumalo complains that fear rules the land, but he does not offer a plan for alleviating this fear. The ideas Kumalo advances amount to little more than harsh words and complaints, rather than constructive plans or even short-term suggestions for progress.
By contrast, Dubula stands for hope, cooperation, and a pragmatic approach to social change. Whereas Kumalo can only stew over the poor housing opportunities afforded to black citizens, Dubula initiates a Shanty Town, in which formerly crowded tenants can spread out and await the chimney pipes and iron that Dubula courageously provides. Whereas Kumalo merely rants about the economic plight of black citizens, Dubula proposes and carries out a bus boycott to lower the fares for black passengers—a boycott that has the added effect of changing white cry the beloved country essays from the unified, faceless enemy that Kumalo describes into allies in the struggle for racial justice, as many whites offer car rides to blacks during the boycott, risking courtroom trials of their own.
By moving past the superficial similarities between Kumalo and Dubula, Paton implies that a spirit of pragmatism and productivity is far more effective than stirring up rage and making speeches. At first, Dubula and Kumalo seem to be one and the same in their desire for racial equality, reinforcing the notion that civil rights movements tend to involve large, unified fronts. But Kumalo quickly distinguishes himself from Dubula in his unwillingness to put aside grievances and work for tangible change. Dubula, on the other hand, emerges as a hero, energetic and optimistic enough to drive blacks out of their cramped housing and into a makeshift Shanty Town. Search all of SparkNotes Search Suggestions Use up and down arrows to review and enter to select.
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Biography Biology Chemistry Computer Science Drama Economics Film Health History Math Philosophy Physics Poetry Psychology Short Stories Sociology US Government and Politics. Test Prep Lessons AP® English Literature AP® English Language. SparkTeach Teacher's Handbook. Error Created with Sketch. Character List Stephen Kumalo James Jarvis Theophilus Msimangu Absalom Kumalo Arthur Jarvis. Themes Motifs Symbols. Important Quotes Explained By Theme Inequality Religion Family Freedom Power By Section Book I: Chapters 1—3 Book I: Chapters 4—6 Book I: Chapters 7—9 Book I: Chapters 10—12 Book I: Chapters 13—15 Book I: Chapters 16—17 Book II: Chapters 18—21 Book II: Chapters 22—24 Book II: Chapters 25—27 Book II: Chapters 28—29 Book III: Chapters 30—33 Book III: Chapters 34—36 By Character Stephen Kumalo James Jarvis Theophilus Msimangu Absalom Kumalo John Kumalo.
Suggestions for Further Reading Alan Paton and Cry, the Beloved Country Background. Unlock your FREE SparkNotes PLUS trial! Unlock your FREE Trial! Sign up and get instant access to bookmarks. Did you know you can highlight text to take a note? Previous section Mini Essays Next section Suggested Essay Topics. Popular pages: Cry, the Beloved Country, cry the beloved country essays. Take a Study Break.
Literary and Biblical Allusions in Cry, The Beloved Country
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Cry, the Beloved Country. Msimangu says that the main problem facing the native population of South Africa is that nothing has been built to replace the broken moral and social framework of the tribes. John Kumalo thinks the main trouble is economic inequality. Based on the evidence in the novel, which of these men is right? Alan Paton, in his novel, Cry, the Beloved Country, shows how the horrors of South African apartheid effected two individual families, one black and one white. Throughout the course of the novel, these two families overcome the chains of apartheid and learn that love and forgiveness cross racial lines. In this novel a black man, Absalom Kumalo, makes a decision to murder a In Alan Paton’s Cry, the Beloved Country, John Kumalo and Dubula are united in their opposition to South Africa’s racial injustices. But while Kumalo enumerates grievances without suggesting realistic solutions, Dubula represents positive, pragmatic change—not to mention the possibility of cooperation between whites and blacks
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